If there’s one person on this planet who should’ve seen the opening poop scene of A Knight of the Seven Kingdoms coming, it’s George R.R. Martin himself, right? He literally created the world. He gave us the source material. And yet… he was completely blindsided by it.
When Martin saw the rough cut, his initial reaction was basically “what in the name of Westeros is this?” And I love that. I love that the author of this entire universe looked at what Ira Parker created and had the exact same reaction some viewers probably had: confusion mixed with morbid curiosity.
Quick read:
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Martin was surprised by the poop scene and initially questioned its necessity in the rough cut.
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Parker explained the scene represents Dunk’s unpreparedness and nervous state, not just shock value.
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The Game of Thrones theme returns later in ways that recontextualize this opening moment.
When the author meets his match: Martin’s honest reaction
Here’s the quote that absolutely made me laugh. Martin told THR: “Yeah, that was a bit of a surprise. Not to say that my characters don’t take shits, but I normally don’t write about them at any length. When I saw the rough cut, I wrote, ‘What is this? Where did this come from? I don’t know if we really need the shit.’ But [showrunner Ira Parker] liked it for whatever reason.”
“For whatever reason.” Can you imagine? The creator of Game of Thrones, House of the Dragon, thousands of pages of intricate worldbuilding, looking at this scene and basically going “I don’t understand why you did this, but okay”? It’s hilarious because it proves that even Martin can be caught off guard by his own universe.
Credits: HBO
When creative vision trumps source material concerns
What makes this whole situation brilliant is that Parker didn’t just defend his choice—he convinced Martin to see the artistic merit in it. Parker explained: “All we’re trying to say here is that Dunk is not a hero yet. He’s just a nervy kid with a nervous stomach — just like me. And as badly as you want to do something great, as soon as you actually have to go off and do it, it becomes trickier.”
Do you think Martin was right to initially question the scene, or do you think Parker nailed the justification? And more importantly, are you loving how this scene is becoming a bigger thematic element as the season progresses? Drop your thoughts in the comments—I’m genuinely curious how viewers are feeling about this tonal choice!
Read next: Lyonel Baratheon was pitched to Daniel Ings as “Jack Sparrow meets Ernest Hemingway”
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